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Minus 8 Minuit by Sterling McGarvey It's starting to look like the Year of Compost. Between knockout efforts from Koop and Jazzanova, the label has been hitting home runs in 2002. Add Minus 8 to that list. Somewhere in London, you can bet that Gilles Peterson is laughing maniacally in some vault full of knockout CDs that he's been handed during this banner year of the broken beat. You can also bet that Minuit ranks somewhere at the top of his stacks. Among Switzerland's premier nu jazz producers, Minus 8's fourth album stays consistently good and never fails to impress. On his latest effort for the label, he runs the sonic gamut from deep house to bossanova to the shuffling nu jazz-laden house one has come to expect from Central European producers to Latin-influenced drum n' bass (yes, Latin-influenced drum n' bass; I did not stutter).
What makes Minuit such a good effort is that the quality does not wane throughout the fourteen tracks on the album. It's a subtly good CD that curls up around you and works its way into your palate slowly. Minus 8 flexes his muscles as an effective producer of various sounds. Besides, what's the last album that you bought that went from nu jazz and deep house to Latin drum n' bass?
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