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Playgroup DJ Kicks: Playgroup by Sterling McGarvey
What about the evolution of funk, r&b, and the very nascent hip-hop that occurred in the early 80's? What about the advent of house? Trevor Jackson, the mastermind behind Playgroup, hasn't forgotten about those sounds. As a producer and graphic designer, his skills as both a crate-digger and as an album cover conceptualist (working on covers for the likes of Todd Terry and the Stereo MCs, among a plethora of other artists) have garnered him a great deal of respect throughout Europe. Playgroup's contribution to the !K7 collection echoes a fondness for the section of the 80's that seems to be forgotten in the rush to pole vault aboard the bandwagon. This DJ-Kicks effort eschews skinny ties and ripped jeans in favor of Adidas tracksuits and body-jacking. At some points, he even takes it all the way into the days of box fade haircuts and Afrocentric leather medallions with pukka shells. I:Cube's reworking of Ana Rago's "You're God" channels the crunchy percussion of One Way's "Cutie Pie." Material's "Ciquiri" delivers the deep, nasty basslines of a funk workout, a la Chic. While Impedance's cover of Soft Cell's "Tainted Love" takes away the trademark synth stabs of the original and replaces them with a dubby bassline. Tiny Trendies' "The Sky Is Not Falling," a DJ favorite, also finds its place among the mix. The Salt City Orchestra reworking of Charles Schillings' "No Communication, No Love" clangs out chunky percussion over a deep bassline and soaring synthesizers. The Fully Bearded Mix of Jay Walk's "Buggin' Becky" revives the old school funk feel of a "blue lights in the basement" party of 20-odd years past. Between the pulsing bassline, ringing cowbells, and "jack your body"-esque vocal sample, KC Flight's "Let's Get Jazzy" brings back the primal feel of an old school house track. If the sounds of KC Flight aren't enough, Jackson breaks out Ralphi Rosario's oh-so-1989 "Get Up, Get Out." The coup de grace of the album comes first in the punch of Dexter's "I Don't Care" combined with the acapella of Wanda Dee's "Gonna Make You Sweat," which sounds like the Mothership landed somewhere in Chicago during the short-lived hip house trend of the late-80s and early-90s. The next punch hits directly below the belt with the dirty funk and punk vocals (they almost go together like a "surf and turf" combo, don't they?) of The Rapture's "House of Jealous Lovers." If this one doesn't get the beer swilling, fist-pumping crew riled up, God only knows what will. It's the kind of track that would make a drunken weekend warrior rip off his shirt Hulk Hogan-style on the dancefloor and pelt people with cocktail ice. All in all, this edition of the DJ-Kicks is consistent in quality, with a hard spike at the finale of the disc. Jackson's track selections are guaranteed to perk ears. He has managed to make a mix that is distinctly retro in essence, but gives it a contemporary flair. The Playgroup effort for !K7 is one that will put a new (and funky) face on electroclash before the genre potentially goes the way of the omnipresent "Ibiza compilation." It won't blow you out of the stratosphere, but it will keep you entertained during the wee hours.
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